The problem is, Wan is reaching into the same old grab bag of shock scares, creaky-door sound effects, and ominous baby monitor voices he used in the far better original Insidious.. By all means go, and be prepared for a holiday musical like no other.. Wan is getting better and better at figuring out what to do with the camera, and maneuvering actors within a shot for maximum suspense, while letting his design collaborators do the rest.. Sondheim's original musical was already a mad synthesis of...
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