A bigger problem lies with Leigh Whannell's script, which utilizes so many flashbacks and explanatory inserts that the tension, a defining feature of the first Saw, is lost.. Just like its increasingly wan antihero, this blood-soaked series is on its last legs.. The question for moviegoers: Would you rather get your dose of existenz-philosophie from Dostoyevsky or a slasher flick?. "The Possession" isn't exactly "The Exorcist," but Ole Bornedal's film hits enough high notes to make it a worthwhi...
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